Archive for October, 2010

Music Technology Graduation Recitals

Friday, October 29th, 2010

The Slow Release Staff has some exciting events coming up in the next couple of weeks. The music technology students have their  recitals coming up on the 15th and 16th of November.

The recitals will be a mixture of max/msp processing, live instrumentation, electro-acoustic sounds, soundscapes, as well as a hip-hop symphony. The staff will also be releasing an album based on these styles to sell on the recital nights, called Collateral Parallels.

Collateral Parallels is a graduate compilation CD of artists Mark Bradstreet, Ellie Cumming, Mikaela Davies, Jarryd Bird and Jake Steele. Mark Bradstreet’s work Raw, is an electronic tribal orientated piece, based on a contemporary dance collaboration. Run was composed with electro-acoustic sounds, including electric guitar and live drum samples, generating an immersive electronic soundscape. Ellie Cumming’s works consist of a mixture of cultures, exploited using a saxophone quartet. Mikaela Davies’ pieces “In The Darkness We Shall Fall” and “Chordal Sinewaves” utilise the emotions that we go through in life circumstances. They are a blend of using Max/MSP processing and using live instrumentation to harp on emotions such as; hope, despair, sadness, depression and manic states. Jarryd Theodore Bird has created two pieces based around the manipulation of guitar tracks through time. The works are intended to create a melancholic and gloomy affect. Jake Steele has composed a ‘hip hop symphony’ utilising live instruments that merge the classical style with modern grooves of hip hop. These tracks are remixes of elements from the symphony.

If you like the sound of this, we invite you to join us at WAAPA in the Music Auditorium, starting at 5pm on Monday the 15th, and Tuesday the 16th. Hope to see you there.

Graham Wood – Jazz Juice

Friday, October 1st, 2010

A calm simple piano melody builds into a fiery swell of passion, like the sun storms it bursts with heat brewing down below bursting out with clusters or smooth rhythmic touches that occasionally boom, then retort as the horns speak in alien tongues, transmitting an intelligence not born of academic sway, but of experience that only a well traveled cosmonaut can aspire to.

As the bass bends & jangles like a huge rubber band amongst the stars, you come to the realization that this is one hell of a Jazz ride as you settle back to earth.

Lead by Perth’s Jazz Don Graham Wood, Graham Wood Trio + 2’s Jazz Juice comes spitting at you like some cosmic milk full of radioactive bursts of brilliance from a fine line of musicians setting sail for Saturn.

To find out more about Graham Wood and his Quintet, click here

To find Graham Wood on MySpace, click here

Lindsay Vickery

Friday, October 1st, 2010

Lindsay Vickery
Music includes works for acoustic and electronic instruments in interactive-electronic, improvised or fully notated
settings, ranging from solo pieces to opera and has been commissioned by numerous groups for concert, dance
and theatre.

Work draws on Collage, Fractal Structuring, Cross-Genre, Non-linearity, Score-Film, Poly-Tempo Music, Alternate
Controllers, Extended Techniques, Electronics, Interactivity, Improvisation, interactive video and electronic
instrument design.

Founder member of the ensembles: Decibel, SQUINT, [de]CODE me, HEDKIKR, Shmil, GRIT, GrupoLipoSucto,
Trans, zut, Magnetic Pig and alea new music ensemble.

To find Lindsay on MySpace, click here